Monthly Archives: August 2019

Poetry in architecture: a walk through the Qutub Shahi necropolis at Hyderabad

 

           Tucked away in Ibrahimbagh in the historic city of Hyderabad in India, which was founded in 1591 by the fifth Sultan of the Qutub Shahi rulers of the Deccan Sultanate of Golconda; who ruled when Sultan Quli declared independence from the powerful Bahmani kingdom in early 16th century, is their necropolis in a beautiful garden setting. The Sultans ruled both from Golconda and Hyderabad at different points of time.The Qutub Shahis are remembered for bringing in new traditions along with immigrants from Persia, the founder Sultan Quli being from there who migrated to the Indian subcontinent. The Qutub Shahis  mingled their culture with local sensibilities to usher in a ‘composite’ culture which paved the way for new ways of dress and etiquette, language, intoduction of beautiful calligraphy, art and architecture. A new idiom thewhich, Golconda school of miniature painting evolved during their reign who were great patrons of music and literature. The Sultans themselves composed poetry which is still cherished. They patronised the languages Persian and Telugu along with Dakhni, proto-Urdu. Many works of literture were produced.  The dynasty ruled upto 1686 which ended with the siege by Aurangzeb in 1687. After an interim Mughal rule the Asaf Jahis ruled and developed the area which became part of the Indian Republic in 1956. The city of Hyderabad, now in Telangana State of India, has seen phases of growth  under various rulers to become a major metropolis in south of India with expansion of the newer city of Hyderabad, the Secunderabad Cantonment, the last addition being Cyberabad. This write-up focusses on the amazing tomb complex at Ibrahimbagh in Hyderabad which is some distance from the Golconda Fort. Qutub Shahi architectural splendour is very prominent here with most features of Islamic architecture with components like arches, domes and minarets. The local influence can be seen in the liberal use of lotus-petal bases around the domes and minarets.20180929_122813-1

View of Golconda Fort on the way to the tombs |D. Vinod

             The tombs of the Sultans along with other important people from the family and associates are at a royal necropolis or tomb complex at Ibrahimbagh near the Golconda Fort.  The place was also called Bagh Safa. The tombs were built over time by various kings. Surrounding the tombs are gardens; beautiful gardens with shrubs and trees, a bagh setting amidst fountains and the timeless interplay of light and shade. Nature seems to be at its best with flowers, birds, bees, butterlfies and squirrels, abundant foliage, under the bluest skies.

Skyview, image | Dinesh Singh

 Mentionable here are the eight sultans of  the Qutub Shahi dynasty; Sultan Quli Qutb-ul-Mulk (1512–1543), Jamsheed Quli Qutb Shah (1543–1550), Subhan Quli Qutb Shah (1550),Ibrahim Quli    Qutb Shah (1550–1580),Muhammad Quli Qutb Shah (1580–1612), Sultan Muhammad Qutb Shah (1612–1626),Abdullah Qutb Shah (1626–1672) and Abul Hasan Qutb Shah (1672–1686). The last Sultan is not buried here as he was sent to Daulatabad after the Mughal siege by Aurangzeb and his forces in 1687.

Cistern at the bagh, image|Dinesh Singh

        The architecture seen here is a beautiful blend of Persian, Indian and Pashtun influences. The tombs are mostly on a raised platform having domes and surrounded by arches. The tombs were much venerated during the Qutub Shahi times. The tombs of the Sultans had golden spires over them. People would read from the Holy Quran which used to be kept on pedestals.  During the Qutub Shahi rule, there used to be Persian carpets on the floors inside the tombs with the perfume of incense wafting around.  After the reign changed, the tombs were not much in focus. In the beginning of 19th century, Sir Salar Jung ordered for their restoration. He was an important prime-minister of Hyderabad-Deccan during the Asaf Jahi rule (1724-1948). The Aga Khan Foundation is restoring the tombs at present in the 21st century. There are displays which show the course of work that is happening here at the bagh.

      One gets to see all the sturctures in the tomb complex along with the gardens and fountains, the well called Badi bowli, a neatly designed stepwell. The fine stucco on the structures leaves one amazed and the dainty designs on the minarets are very pleasing to the eye. The tomb of the founder of the dynasty Sultan Quli Qutub-ul-mulk is some distance away to the south west of the tomb of Sultan Mohammad Quli Qutub Shah. A fairly simple tomb structure built on a platform with an octagonal interior with a dome crowning the top. Sultan Quli’s tomb has the inscription Bade Malik or Big Master as he was addressed by that name. The tomb has two graves with another smaller one. Outside there are 21 graves on the plinth, maybe of people close to him. The tomb of Subhan Quli on the same plinth has a dome which being fluted looks very beautiful. Some distance away to the west of Sultan Quli’s tomb is his son Jamsheed Quli’s tomb, an octagonal structure which looks double storeyed with arches and projecting balconies. The balconies have rich ornamental balustrades.. The tomb of Mohammad Amin who died in 1596; who was the sixth son of Sultan Ibrahim Qutub Shah and father of Sultan Mohammad Qutub Shah at a young age of 25, is towards the west of the tomb complex. The tomb has two graves inside.

Tomb of Sultan Quli, founder of the dynasty|D.Vinod

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Fountain, tomb complex, Ibrahimbagh, Hyderabad|Dinesh Singh

     The tomb of Sultan Ibrahim Qutub Shah is some distance away to the south west of Sultan Quli’s mausoleum.The tomb has two graves in the main chamber and another sixteen on the terrace most probably of his children. Sultan Mohammad Qutub Shah’s mausoleum has a circular dome and the central chamber is surrrounded by an arcaded gallery with seven exits or openings. The upper storey has five recesses. 

The tomb of  Sultan Subhan Ali, fondly called Chhote Malik or Little Master lies near his father Jamsheed Quli’s tomb. The other tombs are of the physicians or hakims of the Sultan Abdullah Qutub Shah, Nizamuddin Ahmed Jeelani and Abdul Jabbar Jeelani, tomb of Neknaam Khan who served in Sultan Abdullah’s army, tomb of Fatima Sultan sister of Mohammad Qutub Shah and Kulsoom , his grand-daughter. Also the tombs of courtesans Taramati and Pemamati. The tomb complex was once called Lagar-e-faiz-athar  where songs, dances and drama were regularly staged.

There are also other tombs in the complex of members of the dynasty of the Qutub Shahis which have different architectural features from the main tombs but are very pleasing to the eye with ornate designs.

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Tomb of Hayat Bakshi Begum, tomb complex, Ibrahimbagh, Hyderabad|Dinesh Singh

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Tile decoration, Hayat Bakshi Begum masjid, tomb complex, Ibrahim bagh, Hyderabad|Dinesh Singh

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Tomb of Sultan Jamsheed Quli, tomb complex, Ibrahimbagh, Hyderabad|D. Vinod

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Tomb of Sultan Ibrahim Qutub Shah, Ibrahimbagh, Hyderabad|Soma Ghosh

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Blue tile work remains, Tomb of Sultan Ibrahim Qutub Shah, Ibrahimbagh, Hyderabad|Asif Ali Khan

        The tomb of Sultan Mohammad Quli Qutub Shah who died in 1612 is a striking structure with a double terrace. He was the fifth Sultan and is well rembered for constructing the Charminar at Hyderabad with the Char Kaman and founding the city of Hyderabad. The Sultan’s grave is in a crypt covered with black stone and is lower than the ground. The arcades around are unique and are very cool inside in contrast to the bright sunlight during daytime outside the tomb. The minarets at the corners have exquisite designs.

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Tomb of Sultan Mohammad Quli Qutub Shah, tomb complex, Ibrahimbagh, Hyderabad|D.Vinod

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          Archways, tomb of Sultan Mohammad Quli Qutub Shah, tomb complex,       Ibrahimbagh, Hyderabad|Soma Ghosh

The tomb of the seventh ruler, Sultan Abdullah Qutub Shah appears first to the vistor. The sacrophagus is in black basalt. There are still some traces of blue and green enamel on the minarets. The tomb overall is very impressive with its seven arches built in perfect alignment in its corridors giving a feel of infinity. After this on the left one gets to see the incomplete tomb but actually has the grave of Sultan Abdullah’s eldest son-in-law Mirza Nizamuddin Ahmed.

          Some way from the entrance to the north-west one can locate the impressive tomb of Hayat Bakshi Begum or Ma saheba, who is the daughter of the fifth ruler, Sultan Mohammad Quli Qutub Shah and wife of the 4th ruler, Sultan Mohammad Qutub Shah. Her son was Sultan Abdullah Qutub Shah. She played an important role and was a strong presence in Deccan history of the time. She was fondly called Ma-saheba. Her tomb has seven arches on each side with beautiful minarets at the corners, her sacrophagus in black basalt with verses. Her tomb is ornate and its parapet displays a frieze of flowers. 

     The tomb of Mohammad Qutub Shah is near the tomb of Hayat Baksh Begum to the south. He died in 1626. The graves of his other six children are also in this tomb. The complex has the tombs of Taramati and Pemamati who were sisters and royal dancers and concubines. The mortuary bath is also at the complex where the bodies of the royals would be given a bath before burial; there were cisterns for both hot and cold perfumed water.

Tomb of  Sultan Abdullah Qutub Shah, tomb complex, Ibrahimbagh, Hyderabad| Dinesh Singh

The Hayat Bakshi Begum’s mosque attached to her tomb at the north side of her tomb is an important structure of the complex. It has a prayer hall, a vaulted roof with sunken domes, a facade with five arches and finely designed minarets with pots at the ends on lotus petals. The dome at the centre has beautiful designs; the mihrab has an inscription containing Quranic verses in superb calligraphy around it on black stone. This masjid was built in 1667.

The tomb of the founder of the dynasty Sultan Quli Qutub-ul-mulk is some distance away to the south west of the tomb of Sultan Mohammad Quli Qutub Shah. A fairly simple tomb structure built on a platform with an octagonal interior with a dome crowning the top. The tomb has two graves with another smaller one. Outside there are 21 graves on the plinth, maybe of people close to him. The tomb of Subhan Quli on the same plinth has a dome which being fluted looks very beautiful. Some distance away to the west of Sultan Quli’s tomb is his son Jamsheed Quli’s tomb, an octagonal structure which looks double storeyed. The tomb of Mohammad Amin who died in 1596; who was the sixth son of Sultan Ibrahim Qutub Shah and father of Sultan Mohammad Qutub Shah at a young age of 25, is towards the west of the tomb complex. The tomb has two graves inside.

Lo ! some we loved..the loveliest and the Best

……………..one by one….crept silently to Rest.

                                   ……..from the Rubaiyat of Omar Khayyam.

Archway at tomb of Sultan  Abdullah Qutub Shah, tomb complex, Ibrahimbagh, Hyderabad|Dinesh Singh

          An unfinished tomb started by Sultan Abul Hasan Tana Shah, houses the grave of Mirza Nizamuddin Ahmed, Sultan Abdullah’s eldest son-in-law. The royal tomb complex also has the mosque of Hayat Bakshi Begum and the dargah of Hazrat Hussain Shah Wali, Sufi saint and builder of the Hussain Sagar at Hyderabad. A mortuary bath in Turkish style exists opposite the tomb of Mohammad Quli.   The tombs of the earlier Sultans are at the back of the bagh. The tombs of the Sultans have Quranic verses especially the ‘throne verse’, the aayat-ul-kursi and the Shia durud  in calligraphy. The tombs look uniform in design but there are some differences especially in the size of the structures. The tombs are usually built on a raised plinth with an arcaded gallery around a square chamber. A ring of lotus petals are seen at the base of the bulbous dome over the structure which looks very ornate and decorative. Aurangzeb had mounted cannons on the tombs during his siege efforts in 1679 to destroy the fortifications of Golconda Fort.

Cannon balls, tomb complex, Ibrahimbagh, Hyderabad|Dinesh Singh

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           Mortuary bath, tomb complex, Ibrahimbagh, Hyderabad|Dinesh Singh

         Bagh Safa, Ibrahimbagh, Hyderabad|Dinesh Singh

When the  sun sets here the silhouette of the tombs are seen against the evening sky; the breeze blows and one feels the whispering of tales of the centuries gone by. India’s poetess Sarojini Naidu has said of the tombs:

The royal tombs of Golconda

I muse among these silent fanes

Whose spacious darkness guards your dust

around me sleep the hoary plains

That hold your ancient wars in trust

I pause,my dreaming spirit hears,

Across the wind’s unquiet tides,

The glimmering music of your spears

The laughter of your royal brides,

The royal tombs of Golconda

In vain o Kings,doth time aspire

to make your names oblivion’s sport

While yonder hill wears like a tier

The ruined grandeur of your fort

Though centuries falter and decline

Your proven strongholds will remain

Embodied memories of your line

Incarnate legends of your reign.

O Queens, in vain old Fate decreed

Your flower-like bodies to the tomb;

Death is in truth the vital seed

Of your imperishable bloom

Each new-born year the bulbuls sing

Their songs of your renascent loves;

Your beauty wakens with the spring

To kindle these pomegranate groves.

 

 

References and image attributions

       1.History of the Qutub Shahi dynasty/H.K Sherwani, New Delhi: Munshiram Manoharlal,   1974.

       2.The art and architecture of the Deccan Sultanates/George Michell and Mark Zebrowski, Cambridge: Cambridge University Press, 1999.

       3. The heritage of the Qutub Shahis of Golconda and Hyderabad/M.A Nayeem, Hyderabad: Hyderabad Publishers, 2006.

       4. poetryarchive.com

       5. Images by are by Dinesh Singh, D. Vinod, Asif Ali Khan and the author.

 

Posted by :

 

Soma Ghosh

 

©author

 

 

Floral forays : glimpses from the Taj

         Much has been written about the Taj Mahal, India’s iconic Mughal monument. A testament to love as it is believed, made by an emperor, Emperor Shahjahan for his favourite queen, Mumtaz Mahal or Arjumand Bano Begum. One is awestruck on seeing the Taj made from marble from Makrana which depicts so many elements of art and architecture. One can see domes, arches, minarets, windows, ceiling designs, parchin kari or pietra dura, calligraphy, Islamic geometry. Also jaali or trellis work. The finial on top of the biggest dome is also very ornate. Different views from the Taj show the beautiful embellishment and the exquisite use of marble to create this awesome wonder of the world. This mausoleum or rauza is one of the finest monuments of the world.

          This famous edifice is at an important Mughal city, Agra on the banks of the Jamuna river. Agra also has an awesome fortress, the tombs of Emperor Akbar, his consort, Jodha Bai and Vizier I’timad-ud-daulah of Emperor Jahangir. The chief architect of the Taj was Ustad Ahmed Lahori. The design is a synthesis though the Persian element is predominant.

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Taj Mahal, image, 21st century.

 The Taj Mahal

Aye, build it on these banks,” the monarch said,
“That when the autumn winds have swept the sea,
They may come hither with their falling rains,
A voice of mighty weeping o’er her grave.”

They brought the purest marble that the earth
E’er treasured from the sun, and ivory
Was never yet more delicately carved :
Then cupolas were raised, and minarets,
And flights of lofty steps, and one vast dome
Rose till it met the clouds : richly inlaid
With red and black, this palace of the dead
Exhausted wealth and skill. Around its walls
The cypresses like funeral columns stood,
And lamps perpetual burnt beside the tomb.
And yet the emperor felt it was in vain,
A desolate magnificence that mocked
The lost one, and the loved, which it enshrined.

……………..Letitia Elizabeth Landon

   The Taj Mahal is situated a mile distant from the Agra Fort at a bend of the river Jamuna. The Taj was built on a large square area out of Raja Jai Singh’s garden. The Taj is considered a place of pilgrimage because Mumtaz Mahal had died during childbirth, ie. it is both a rauza and urs, hence it was designed keeping in mind the needs of both. there is designed place for pilgrims to stay, poor to receive food and gift of clothes etc. The Taj has a forecourt and gardens. The charbagh, mosque and tomb were built in the larger portion, ending in an open platform and raised terrace with the river in view. The mausoleum was placed on this terrace. The gateway at the southern end was the public entrance. The gateway at the northern wall of the forecourt is a three storeyed gateway.

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          Floral arabesques on spandrels, Taj Mahal, image, 21st century.

     The Taj unfolds as one walks through the monument. The outer gateway opens to a  large quadrangle surrounded by arcaded rooms and adorned by four gateways This monument took 22 years to build. A broad pavement leads to a gateway made of red stone and inscribed with verses from the Holy Quran. As one moves on, one can see  beauty and embellishement. There are the jaalis, pietra dura works as beautiful arabesques. Some views here are testimony to some splendid floral designs at the Taj.

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         Floral arabesques on spandrels,Taj Mahal, image, 21st century.

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        Floral arabesque in border and plant motifs on a dado, Taj Mahal, image, 21st  century.

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 The flowers which are depicted in the precincts of the Taj including the interiors and exteriors show floral compositions. Some of them resemble the iris flower if one looks closely or probably inspired by this flower ! Some patterns resemble the fuschia too.
Related image        Fuschia flower, illustration.

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Chevrons and vegetal motifs, Taj Mahal, image, 21st century.

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          Petals, inverted, Taj Mahal, image, 21st century.

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           Vegetal and floral arabesques,Taj Mahal, image, 21st century.

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        Taj Mahal, image, 21st century.

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         Vegetal scroll, Taj Mahal, image, 21st century.

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         Taj Mahal, image, 21st century.

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         Floral scroll, Taj Mahal, image, 21st century.

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         Ornamental scrolls, vegetal design, Taj Mahal, image, 21st century.

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         Detail, Taj Mahal, image, 21st century.

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         Detail, Taj Mahal, image, 21st century.

 

 

References:

  1. https://www.poetry.net/
  2. Wikipedia.org
  3. Images are from Wikimedia Commons

 

 

Posted by –

Soma Ghosh

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