Tag Archives: Krishna

Kaliyamardana – a story from the Bhagavata Purana

Lord Krishna is a much loved deity in Hinduism. His childhood as Balakrishna, youth as a cowherd; later revered as the mentor and charioteer of Pandava Arjuna in the Indian epic Mahabharata who advises him on the battlefield in which he has to fight his own cousins. His actions, words and feats including his Rasaleela at Brindavan with his beloved Radha and other has been captured in art, poetry and narratives. Find the story behind a celebrated feat of Lord Krishna – the Kaliyamardana in which he slays a multiple hooded serpent of astounding strength who is tormenting people and been depicted in many artworks found all over India and outside India.

The details of the story is found in the Bhagavata Purana, one of Hinduism’s 18 great Puranas.

Miniature1.jpg

Krishna dancing on the head of Kaliya, Mughal School, India, 1590-1595 A.D, illustration from the Harivamsa, an appendix of Razmnama, Balarama and people watch from the riverbank.

The story is very interesting and takes us to the banks of the Yamuna flowing through Brindavan in the north of India. Lord Krishna as a young lad who also lived nearby, played here along with his cowherd friends. The tenth canto of Chapter 16 describes an amazing feat of a young Krishna of subduing a serpent called Kaliya and the episode is referred to as Kaliyanaga-mardana. The depictions in art range from narrations in miniature paintings, stone sculpture, metal works and book illustrations.

Brooklyn Museum - Krishna Conquers the Serpent Kaliya Page from a Dispersed Bhagavata Purana Series.jpg

Episode of Kaliyamardana, page from a dispersed Bhagavata Purana Series, late 18th century, Brooklyn Museum, U.S.A

Kaliya the serpent was originally from Ramanakadwipa and driven away from there because he was mighty afraid of Garuda the enemy of snakes. Garuda had been cursed by Sage Saubhari that if he ever came to Brindavan he would meet his end there. So Kaliya made Brindavan his home and lived there with his family. The giant serpent was residing in the river Yamuna and scared people away and nobody could go near to the site where he lived. He was also spilling deadly venom into the Yamuna which was frothing and bubbling over. One day Krishna and his cowherd friends were playing a game of ball. While playing the ball fell near the spot where Kaliya resided. Krishna’s friends urged him not to go after the ball. But Krishna jumped into the river and on seeing Krishna, Kaliya curled around his legs. Krishna’s mother Yashoda was very frightened of the serpent and asked Krishna to just come home. However Krishna stomped on his tail and warned Kaliya not to trouble anybody. Kaliya was a very strong serpent and pulled Krishna into the river. People gathered on the bank. Kaliya has got Krishna ensnared in its coils. However Krishna expanded himself forcing Kaliya to release him. After he was thus released, Krishna started dancing on the head of Kaliya which released the poison of the snake. Krishna took the weight of the whole universe and started beating him with his feet. Kaliya started to die and began vomiting blood. Kaliya’s wives came and begged Krishna to spare his life. Kaliya too surrendered and promised not to harass anybody again. Krishna did a final dance on his head and asked him to go back to Ramanakadwipa and assured him that Garuda would not trouble him again.

Brooklyn Museum - Kaliyadamana.jpg
Kaliyadamardana, Krishna ensnared, Brooklyn Museum, U S A, painting, created between 1750 and 1780 A.D.

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Image, Dharmshala, Khatu Mode, Mumbai.

Kaliya's wifes and Krishna. Kangra c.1785-90. Painting of India.JPG

Kaliya’s wives praying to Krishna to release their subdued husband serpent Kaliya, Kangra, Pahari painting, 1785-90 A.D, National Museum, New Delhi.

Richly Decorated Carving of Sri Krishna - Sri Lakshminarayana Temple,Hosaholalu.jpg

Carving of Lord Krishna subduing Kaliya, Sri Lakshminarayana Temple, Hosaholalu, Karnataka, 13th century.

Prasat Muang Tam-026.jpg
Krishna subdues serpent Kaliya, – lintel over the main door of the outer East gopura, Prasat Muang Tam, Thailand, late 10th century.

Krishna rose from the river while dancing on Kaliya’s head. People too on seeing Krishna danced on his head and Kaliya was finally pushed into Patala where he stays to this day as it is believed.

Kaliya damana.jpg

Book illustration, Myths of the Hindus & Buddhists (1914), Nivedita, Sister, Coomaraswamy, Ananda Kentish, University of Toronto Digital Collection.

References

  • wikipedia.org
  • Memories from childhood
  • Images are from Wikimedia Commons

Posted by :

Soma Ghosh

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Terracotta art of Bengal : splendorous images from Bishnupur

       The powerful Gupta empire had broken up by the 6th century. The area of Bengal got divided into different small kingdoms.  Vanga, Samatala anf Harikela in the east. In the west the Gauda kings made their capital at Karnasuvarna(near  present day Murshidabad) Though Shashanka, a vassal of the Guptas unified Gaur,Vanga and Samatala and tried for regional power with Harshvardhana after killing off his elder brother Rajyavardhana, he could not sustain for long. The Gauda power ended in Bengal with Shashanka’s death. From 7th century Malla kings ruled  West of Bengal  and parts of present day Jharkhand and were called the Rajas of  Bishnupur. The word Malla means wrestler and the kingdom was called Mallabhum.  Their main legacy are the awesome terracotta temples. From the 7th century till the 19th century, the Bankura district of present day West Bengal is known by the history of these Rajas.  The Palas were another great dynasty to rule Bengal and Bihar, who were patrons of Buddhism. Dharmapala (710-810 A.D) is its most celebrated emperor. The Palas established universities at Nalanda and Vikramshila. However the Chola and Chalukyan invasions ended their rule in the 11th century. The other dynasties to rule ancient Bengal were the Chandra and the Sena dynasty of southern origin. The Devas, another Hindu dynasty like the Senas, ruled after the collapse of the Sena dynasty.

   Coming to the subject at hand, it is reiterated that the temples were mainly the contribution of the Malla dynasty with Bishnupur as their capital. Some images are depicted to simply wonder at the stucco work, the architecture in mainly brick and the terracotta sculpture. The Bankura horse has become synonymous with Bengal. It is made of terracotta. Terracotta is burnt clay. Bengal artists have perfected this art medium and even today jewellery and plaques are produced.

   The temples were made from brick and covered with terracotta tiles which had scenes from the Hindu epics, Ramayana and Mahabharata and also everyday life. The temples were built by different Rajas of Bishnupur.  The dynasty was founded by Adi Malla and followed by Jay Malla. Upto the 48th ruler they were independent of foreign powers. Bir Hambir, the 49th ruler was a contemporary of Mughal Emperor Akbar in 16th-17th century and paid an annual amount to the Muslim viceroys of Bengal. He was followed by Raghunath Singha, the title of Singha being given to him by the Nawab of Murshidabad. He made Bishnupur a beautiful  city of palaces and temples. Most of the terracotta temples’ presiding deity is Lord Krishna or Radha-Krishna, the names being indicative. The temple with a single spire are called ekratna, five are called pancharatna.

  Rasmancha was the earliest temple, built by Raja Bir Hambir in the 17th century, surrounded by a passage/corridor with hut shaped turrets. The temple has a pyramid shaped shikhara.

Bishnupur Ras Mancha.jpg

Rasmancha,Bishnupur.

Rangan Datta Wiki – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৪.০, https://commons.wikimedia.org/w/index.php?curid=51658366

Inside Rashmancha.png

Corridor around Rasmancha, Bishnupur, West Bengal.

Somdeep Gangulee – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=28704137

 

    The Shyamrai temple is a pancharatna temple built in 1643 by Raja Raghunath Singha. The temple has an ocatgonal central shikhara  and the remaining four are square in shape. Lord Krishna’s life is depicted on the ornate carvings. Each side of the temple has three arches.

Shyam Ray Temple in Bishnupur.jpg

Shyamrai temple,Bishnupur, Bankura  West Bengal.

Jonoikobangali – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=14941834

Terracotta work on Shyamrai Temple Bishnupur 8.JPG

Terracotta work on Shyamrai Temple, Bishnupur,West Bengal.

Amartyabag – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=18523365

File:Terracotta work on Shyamrai Temple Bishnupur.JPG

Terracotta work on Shyamrai Temple, Bishnupur,West Bengal.

By Amartyabag (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

 

The Jor Mandir complex has three temples built by Raja Krishna Singha in 1726. 

Jor Mandir, Terracotta temple at Bishnupur,Bankura,West Bengal.

Rangan Datta Wiki – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৪.০, https://commons.wikimedia.org/w/index.php?curid=51658364

Works in the pancharatna temple.jpg

Carvings on temple,Bishnupur,West Bengal.

By Dyutiman86 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=59899301

The Jor Bangla temple was built by Raja Raghunath Singha Dev II in 1655. The temple is admired for its intricate terracotta carvings.

Jor Bangla Temple 2 Bishnupur.JPG

Jor Bangla temple, Bishnupur,West Bengal.

Amartyabag – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=18522459

Jor Bangla Temple Arches Bishnupur.JPG

Temple arches, Jor Bangla, Bishnupur,West Bengal.

Amartyabag – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=18522461

Terracotta work on Jor Bangla temple, Bishnupur 2.JPG

Terracotta work on Jor Bangla temple, Bishnupur,West Bengal.

Amartyabag – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=18522466

Terracotta work on Jor Bangla temple, Bishnupur.JPG

Terracotta work on Jor Bangla temple, Bishnupur,Bankura,West Bengal.

Amartyabag – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=18522464

The Kalachand temple was built in 1656 by Raja Raghunath Singha using laterite.  Laterite is rich in iron and aluminium and the soil type can be used to make brick. Kalachand temple is an ekaratna temple.

Kalachand Temple (side view 2) Arnab Dutta 2011.JPG

Kalachand Temple, Bishnupur, Bankura District, West Bengal.

Jonoikobangali – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=14929614

       Raghunath Singha was followed by Bir Singha Dev. He made many lakes and the temple of Lalji in 1658 A.D. His queen built the Murali Mohan temple in 1665. His son followed after him as ruler who built the Madan Mohan temple in 1694.

    The Lalji temple was built by Raja Bir Singha as an ekratna in 1658 dedicated to Radha-Krishna, on a square plinth with stucco decorations.

Lalji Temple Up Close.jpg

Lalji temple,Bishnupur,Bankura,West Bengal.

By Agniva Das – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=21054944

Radha Madhab Temple.jpg

Murali-mohan temple, Bishnupur,Bankura,West Bengal.

SuparnaRoyChowdhury – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৪.০, https://commons.wikimedia.org/w/index.php?curid=51117741

The Madan-mohan temple was built in 1694 by Raja Durjana Singh Dev. It is an ekratna temple. The carvings on the temple walls have scenes from the Ramayana, Mahabharata and the Puranas.

 

Madanmohan Temple.jpg

Madan Mohan Mandir (1694 AD), Bishnupur, Bankura , West Bengal.

SuparnaRoyChowdhury – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৪.০, https://commons.wikimedia.org/w/index.php?curid=51117740

The Radha-gobindo temple was built in 1729 by  Krishna Singha as an ekratna  temple using laterite.

 

Stone Rath at Radha-Gobinda Temple Arnab Dutta 2011.JPG

Radha-Gobindo temple rath,Bishnupur,West Bengal.

Jonoikobangali – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=14933167 

        Gopal Singh Dev ruled during 1730-45, a very pious ruler. Later Chaitanya Singha Dev ruled who was again very pious. He escaped to Kolkata with the idol of Madan Gopal when his cousin Damodar Singh  tried to gain power.

    The Radha-Madhab temple was built in 1737 by the daughter-in-law of Raja Gopal Singha, Churamoni Devi as an ​​ekratna style with brick having  floral and stucco designs.

 

            The Radha-shyam temple was built in 1758 by Raja Chaitanya Singha as an ekratna temple. It has a dome shaped shikhara  and has Puranic stories and floral designs in stucco on the temple walls.

Radhashyam Temple Entry Arch Bishnupur.JPG

Radha-shyam temple entry arch, Bishnupur,Bankura,West Bengal.

Amartyabag – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=18522507

Stucco work on Radhashyam Temple, Bishnupur 2.JPG

Stucco work on Radha-shyam temple,Bishnupur, Bankura, West Bengal.

Amartyabag – নিজের কাজ কর্তৃক, সিসি বাই-এসএ ৩.০, https://commons.wikimedia.org/w/index.php?curid=18522512

 

References :

  • The art of ancient India/Huntington,Susan,New York : Weatherhill,1985.
  • Indian terracotta art/Ganguly,O.C, Bombay : rupa and Co,1959.
  • wikipedia.org

 

Posted by :

Soma Ghosh

 

© author

 

Raslila in art : celebration of divine love

         #Didyouknow that Raslila is a celebratory dance? It is done in the form of a ras mandala by gopis along with Lord Krishna  Gopis are cowherd maidens who are smitten with Lord Krishna, Radha being the main among them.The Raslila is described in the Bhagavata-purana and Jayadeva’s Gita -Govinda. The word lila means play or act, whereas ras refers to emotion or essenceflavour/mood etc. It is difficult to find an exact synonym in the English language; raslila is a dance of  divine love.

       It is believed that one night, on hearing Krishna playing on his flute, all gopis of Vrindavan left their homes and joined him in a dance in the forest or grove where they danced through the night. Lord Krishna manifested himself in multiple form and each gopi believed that he was dancing with her. A unique circle is formed in the raslila called the ras-mandala. The Bhakti tradition followers believe that the earthly romantic love  between human beings is a dilute form and the intense love for Krishna felt by the gopis is like the soul searching for the ultimate , the God divine in the spiritual realm. The gopis are believed to be shadows of Lord Krishna’s own form.

     The Raslila is popular theme in many Indian dance forms like Kathak,Odissi,Manipuri and Bharatnatyam.

Krishna's Dance of Delight (Rasa Lila) LACMA M.75.66.jpg

Rasalila, Bundi,17th century, Rajasthan, LACMA,USA.

By Image: http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31957887-O3.jpgGallery: http://collections.lacma.org/node/241131, Public Domain, https://commons.wikimedia.org/w/index.php?curid=27286100

Brooklyn Museum - Rasa-lila (Drawing).jpg

Raslila, drawing, 19th century,Brooklyn Museum, USA.

By Anonymous (India) – Online Collection of Brooklyn Museum; Photo: Brooklyn Museum, 80.278.3_IMLS_PS4.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=14620825

Raas Lila.jpg.jpg

Raslila,painting, probably 21st century.

By Raj441977 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=47791760

References :

  • Thomas, P/Epics, myths and legends of India, Bombay : D. B. Taraporevala and Sons.
  • Dehejia, Harsha.V/Radha: Gopi to Goddess,New Delhi :Niyogi Books,2014.
  •  wikipedia.org

Posted by :

Soma Ghosh

© author